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Wiesel made things up, in a way that his many subsequent detractors could identify as not untypical of his modus operandi: grasping with deft assurance what people important to his future would want to hear and, by the same token, would not want to hear.
for January 17, Michiko Kakutani wrote in her usual plodding prose, with her usual aversion to any unconventional thought, that “Mr.
The set’s cover refers to the works as ‘Three Tales by Elie Wiesel.’ In a later edition of the same volume, Wiesel refers to all three books as ‘narratives,’ although he calls Though sales have now soared, I’m not sure how many people will read Night now, beyond buying the new edition as a gesture of solidarity with Oprah and survivors of the Holocaust.
It doesn’t take a background in literary criticism to see that Night is artfully fashioned as a kind of symbolic narrative about the relationship between sons and fathers (there are four such portraits in the short book) and, crucially, between the Christian God (the Father) and his Son.
In the earlier Yiddish, Wiesel holds that upon seeing his reflection he smashed the mirror and then passed out, after which ‘my health began to improve.’)”That said, Cohen emphasized that whereas “Frey, for one, seems to have falsified the facts of his life in order to satisfy ego and the demands of the market, Wiesel’s liberties seem more like reconsiderations, his process less revision than interpretation.
Reading one encounters the birth of thought about the Holocaust – the future of history, concomitant with its study.
Below, I cite views, vigorously expressed to me in recent weeks by a concentration camp survivor, Eli Pfefferkorn, who worked with Wiesel for many years; also by Raul Hilberg.Frey’s embellishments of the truth, his cavalier assertion that the ‘writer of a memoir is retailing a subjective story,’ his casual attitude about how people remember the past — all stand in shocking contrast to the apprehension of memory as a sacred act that is embodied in Oprah Winfrey’s new selection for her book club, announced yesterday: got the message quickly enough.The site had been categorizing the new edition of Night under “fiction and literature” but, under the categorical imperative of Kakutani’s “memory as a sacred act” or a phone call from Wiesel’s publisher, hastily switched it to “biography and memoir”.We value and cherish you.”Though Wiesel offers himself as a paragon of moral virtue, the truth is somewhat seamier.As detailed in this myth-shattering piece by Alexander Cockburn from the February 2006 print edition of Counter Punch, Wiesel assiduously campaigned for the Nobel Prize and has for decades tried to pass off his short book “Night” as a true account–a “testimony” in his words– of his experiences at Auschwitz, even though key scenes in the book have been exposed as fiction. Clair When in trouble, head for Auschwitz, preferably in the company of Elie Wiesel.
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It’s as foolproof a character reference as is available today, at least within the Judeo-Christian sphere of moral influence.