Julia fuck 14 02 2014

I've been banging on the door for over four years and I'm still out here freezing off my butt. Of course, at the time I didn't recognize any of the films from which the images were taken, but I'm surprised that after four decades of avidly following GIMP cinema, I still can't identify the examples posted here. Aside from the unknown frames in the SIM book, does anyone else have GIMP-oriented movie stills from films they can't identify?

The text was dry as a bone, but some of the photos, though tame now, were pretty spicy for an impressionable teen GIMPer back then.

Thanks to the recent discussion initiated by SIM Researcher, I remembered I once borrowed a library copy of Sadism in the Movies myself over 40 years ago.

Given the number of GIMP experts who visit this site, it's not surprising to find that even the most obscure peril films, photos, art and literature usually can be identified by someone or other.

Obviously, the woman's interrogators would rip off her clothing to remove the cash strapped to her body (did Martin “I-never-film-rapes” Scorsese watch this?

), so why the hell is she shown fully clothed and not much worse for wear after the money is gone?

I like the way she looks more disheveled as it goes on, and in my mind I can see what's going to happen to her after the camera leaves her - and it's not going to be pleasant for her. Love the details like the ripped stockings which means I must have put up a struggle when I was being captured or restrained or stripped and the smoke around the clips shows its some heavy voltage that I'm getting, and the gag means I'm not being put through an interrogation; someone just wants to se me in agony...Fortunately I can speak just enough Spanish to enjoy her begging. The camera is very sinister; it could be for my captor's private use, or I'm part of a snuff film, or it's a live feed as part of a set up where people can bid online to watch abducted women being tortured, or it's some kind of revenge set up and someone I've gotten on the wrong side of has hired a professional to make me suffer and then have the film of it sent to them.Fritz wrote: Thanks for clipping the “Senora Acero” scene, but as with most television GIMP, there is so much wasted potential here...despite all the build-up and sophisticated hardware, the electro torture lasts a little over ten seconds in a seven minute clip that doesn't have much else to offer other than a lot of shouting, shaking and mild slapping around. You wouldn't go to a pizza joint and expect to be served steak and lobster, would you?The good news is that if any or all of these comparisons reflect the intent of the poll, it's easy for me to respond as in each case I'm on Team Artists and collectors… Arcas: I know you're posting those blindfold-free renders to prove Ralphus wrong, and that's just fine with me.Mad Bob: You already know how much I like your image of the pneumatic Gallant Girl in peril of losing one of her, um… Like the little guy, I prefer to see the victim's eyes, so props for those last two pictures. I'm buying that set and counting down the days one dame at a time.

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Based on the content, if this is from an extended scene, it could give the dungeon sequence in Poll: This one went up just before I left, and I ignored it because, to be honest, it confused the hell out of me. In what alternate universe could a person who places a woman in peril ever be considered (as in moral and righteous)?

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